A Winged Victory for the Sullen Brussels, Belgium
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supported by 56 fans who also own “Only The Names Of The Airport Changes”
A group that I know only too well, I’ve been with them for nearly 30 years; from their Glaswegian basement origins to their current status as Arena band. My enthusiasm for their later output may have tempered somewhat as the mighty ‘Gwai evolved their sound to avoid pigeonholing, but there is nothing better than when they lay waste to a venue via the sheer euphoria of ‘Helicon 1’. They’re still devastating live and, after all those years, THE authority in Instrumental Rock music.
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supported by 53 fans who also own “Only The Names Of The Airport Changes”
It’s hauntingly beautiful and conjures up intense emotions.
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Eleven Fugues For Sodium Pentothal
by Adam Wiltzie
supported by 52 fans who also own “Only The Names Of The Airport Changes”
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THESIS 20 - Isolarii
by Corey Fuller, Richard Skelton
Inspires by Judith Schalansky’s “Atlas of Remote Islands,” “Isolari” builds worlds with gentle keys and ominous drones.
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The End of Medicine (Original Score)
by Aaron Martin
Kansas-based cellist and composer constructs stirring string arrangements for Alex Lockwood's documentary on zoonotic diseases.
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Anxiety / Hope
by Ambient Echoes
The aptly named “Ambient Echoes” features electroacoustic songs that gradually build from steady drones to breathtaking melodies.
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all lights fucked on the hairy amp drooling
by Godspeed You Black Emperor!
supported by 44 fans who also own “Only The Names Of The Airport Changes”
i literally began ascending while listening to the gitaur solo part of glencairn 14. wtf (in a good sense)/10.
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